Tarantino's and Bender's company is called A Band Apart, after Bande a Part (Band of Outsiders), the 1964 film about two hoods and a femme fatale that
Jean-Luc Godard based on an American paperback novel. But where Godard used pulp fiction as an excuse to discuss the philosophy of the
boulevards and the
boudoir, Tarantino is true to the genre's moral muscularity; he's interested in the philosophy of the
abattoir. His tough guys chat about life's
iniquities and
inequities, about hamburgers, the Bible, the ethics of foot massage, the
perfidy of women. Sometimes they sound like catty old fishwives. But this is a very male form of gossip — verbal machismo. With their edgy
patter, the guys test themselves, their friends, their victims …
boudoir = a lady's bedroom or private sitting room.
abattoir = A public slaughterhouse for cattle, sheep, etc.
perfidy = Deliberate breach of faith; calculated violation of trust.
patter = A quick succession of slight sounds; as, the patter of To mutter; as prayers. The language or oratory of a street peddler, conjurer, or the like, hence, glib talk; a voluble harangue.